Jonathan Hernández,
Vulerabilia (perfect vacuum)
, 2012, newspaper cuttings on cardboard, framed: 41 5/16 × 36 × 2in. (105 × 91.5 × 5cm). Courtesy of the artist and kurimanzutto, Mexico City. © Jonathan Hernández Photo: Michel Zabé/Omar Luis Olguín, 2012.
Lisa Williamson,
32 Pools
, 2014, wood, resin, acrylic, 101 1/2 × 11 3/4 × 11 3/4in. (257.8 × 29.8 × 29.8cm). Courtesy of the artist and Tif Sigfrids. Photo: Ruben Diaz.
Barbara T. Smith,
The Cloistered Study
, 1976, color photos and found objects mounted on felt; vintage b/w photograph mounted on chipboard; performance artifact: color photos, plastic photo case with embroidery fragment as tie , dimensions variable. Courtesy of the artist and The Box, LA. Photo: Fredrik Nilsen..
Tala Madani,
Dirty Starts
, 2008, oil on linen, 76 3/4 × 76 3/4in. (195 × 195cm). Courtesy of the artist and Jane Lombard Gallery, NY.
Rebecca Morris,
Untitled (#17-15)
, 2015, oil on canvas, 95 x 97in. (241.3 x 246.4cm). Courtesy of the artist and Corbett vs. Dempsey Gallery.
Jonathan Hernández,
Vulerabilia (casi)
, 2008-2010, collage on paper, framed: 37 1/2 × 43 11/16 × 1 9/16in. (95.2 × 111 × 4cm). Courtesy of the artist and kurimanzutto, Mexico City. © Jonathan Hernández Photo: Estudio Michel Zabé.
Math Bass,
Newz!
, 2016, gouache on canvas, 46 x 44 in. (116.8 x 111.8 cm). 46 x 44 in. (116.8 x 111.8 cm).
James Crosby,
the Garrett Morgan safety hood allowing the wearer to breathe in a hostile environment
, 2015, fabricated coat/hat rack, heavy canvas, polycarbonate welding lenses, 58 × 288 × 6in. (147.3 × 731.5 × 15.2cm). Courtesy of the artist and team (gallery, inc.), New York.
Amy Adler,
Location (Playground no. 5)
, 2017, oil pastel on canvas, 132 × 96in. (335.3 × 243.8cm). Courtesy of the artist and ACME., Los Angeles. Photo: Robert Wedemeyer.
Amy Reid,
still from Long Haulers
, 2017, two-channel video, dimensions variable. Courtesy of the artist.

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