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Memories of Underdevelopment: Art and the Decolonial Turn in Latin America, 1960–1985 is set within a particular historical moment, from the height of the modern project in Latin America to its unraveling in the following decades. The exhibition examines a paradigm shift in culture and the visual arts between the early 1960s and the mid‑1980s, which articulates a counter-narrative to the rhetoric of developmentalism, resulting in early instances of decolonial thought in the artistic practices in the region.

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